[We join our operetta already in progress. The infamous Pirates of Pergamum have just seized a bevy of beautiful Mytilenean maidens, and are attempting to carry them off for matrimonial purposes - or possibly something a little less permanent. Gabrielle intervenes, with a recitative. (Commentator's Note: Well, at least it's better than a pan flute solo)] GABRIELLE Hold, scoundrels! Ere ye practice acts of villainy Upon the peaceful and agrarian, Just bear in mind, these maidens of My-TIL-ene[1] Are guarded by a buff barbarian! PIRATES We'd better all rethink our cunning plan; They're guarded by a buff barbarian. MAIDENS Yes, yes, she is a buff barbarian. [Xena leaps in from the wings, with a tremendous war cry, does a mid-air somersault, and lands on her feet on the Pirate King's chest.] XENA Yes, yes, I am a buff barbarian! [aria] XENA I am the very model of a heroine barbarian; Through Herculean efforts, I've become humanitarian. I ride throughout the hinterland -- at least that's what they call it in Those sissy towns like Athens (I, myself, am Amphipolitan). I travel with a poet who is perky and parthenian [2] And scribbles her hexameters in Linear Mycenian [3] (And many have attempted, by a host of methods mystical, To tell if our relationship's sororal or sapphistical). CHORUS To tell if their relationship's sororal or sapphistical! To tell if their relationship's sororal or sapphistical! To tell if their relationship's sororal or sapphisti-phistical! XENA My armory is brazen, but my weapons are ironical; My sword is rather phallic, but my chakram's rather yonical [4] (To find out what that means, you'll have to study Indo-Aryan [5]). I am the very model of a heroine barbarian! CHORUS To find out what that means, we'll have to study Indo-Aryan -- She is the very model of a heroine barbarian! XENA I wake up every morning, ere the dawn is rhododactylous [6] (Who needs to wait for daylight? I just work by _sensus tactilis_ [7].) And ride into the sunrise to protect some local villagers From mythologic monsters or from all-too-human pillagers. I hurtle towards each villain with a recklessness ebullient And cow him with my swordwork and my alalaes ululient [8]; He's frightened for his head, because he knows I'm gonna whack it -- he's Aware that his opponent is the _Basileia Makhetes_! [The music crashes to a halt. CHORUS stares at XENA in utter confusion. XENA sighs.] It's *Greek*. It means "Warrior Princess"! [Light dawns on CHORUS. The music resumes.] Sheesh . . . CHORUS He knows that his opponent is the _Basileia Makhetes_! He knows that his opponent is the _Basileia Makhetes_! He knows that his opponent is the _Basileia Makhe-makhetes_, XENA Because I've got my armor, which is really rather silly, on (It's cut so low I feel like a tower of old Ilion, And isn't any use against attackers sagittarian [9]). I am the very model of a heroine barbarian! CHORUS It isn't any use against attackers sagittarian -- She is the very model of a heroine barbarian! XENA In short, when I can tell you how I break the laws of gravity, And why my togs expose my intermammary concavity, And why my comrade changed her dress from one that fit more comfily To one that shows her omphalos [10] (as cute as that of Omphale [11]), And why the tale of Spartacus appears in Homer's versicon [12], [She holds up a tomato:] XENA And where we found examples of the genus _Lycopersicon_[13], And why this Grecian scenery looks more like the Antipodes, You'll say I'm twice the heroine of any in Euripides! CHORUS We'll say she's twice the heroine of any in Euripides! We'll say she's twice the heroine of any in Euripides! We'll say she's twice the heroine of any in Euripi-ripides! XENA But though the kinked chronology, confusing and chimerical (It's often unhistorical, but rarely unhysterical), Would give a massive heart attack to any antiquarian, I am the very model of a heroine barbarian! CHORUS 'T would give a massive heart attack to any antiquarian -- She is the very model of a heroine barbarian! [As the orchestra repeats the final chorus, a wild Xenaesque melee ensues. The curtain falls.] ********************* NOTES [1] Actually, "Mytilene" would properly be accented on the third syllable; Gabrielle always did have trouble with rhymes. (Mytilene, incidentally, is a city on the isle of Lesbos -- the hometown of the poet Sappho, as a matter of fact. It is not clear what, if anything, Gilbert is trying to imply here.) [2] parthenian: virginal. [3] Linear Mycenian: Mycenian is the ancient dialect of Greek which was written in Linear B (a form of Greek writing that predates the adoption of the alphabet). The implication is that Gabrielle does her writing in Linear B; if _Xena_ takes place around the time of the Trojan war, this is chronologically reasonable. [4] yonical: "Yonic" is the female counterpart to "phallic." [5] Indo-Aryan: The language group consisting of Sanskrit and its close relatives. Both "chakram" and "yonic" are of Sanskrit derivation. [6] rhododactylous: rosy-fingered. (Homer makes frequent reference to _rhododaktulos eos_ -- "rosy-fingered dawn".) [7] _sensus tactilis_: Latin for "the sense of touch". [8] "Alalaes" are war-cries (the Greeks spelled a Xena-like war cry as _alala_ or _alale_) and "ululient" is a coined term, apparently meaning "characterized by ululation". [9] sagittarian: archer-like. [10] omphalos: belly-button. [11] Omphale: Legendary queen of Lydia. From context, we must assume that she had a cute belly-button; however, no known classical source seems to address this vital issue. [12] versicon: a coined term, apparently meaning "collection of verse". [13] _Lycopersicon_: the biological genus to which tomatoes are assigned. (The tomato is a New World plant, and was entirely unknown in the Old World in pre-Columbian times. Thus, having tomatoes in a _Xena_-ish context is an even greater anachronism than having Homer tell the tale of Spartacus.) ----------------- Thanks to a fwd from libertarian@erols.com (doris gordon)